|Sunset at the Beach by Adele Cosgrove-Bray; oil on canvas; 2019.|
|Light Approaches by Adele Cosgrove-Bray; watercolour; 2019.|
On annual leave from my part-time day job, I'd decided to do battle outdoors with my old box easel despite its limitations. There's a particular scene in Birkenhead Park I've been meaning to attempt for ages. Naturally, each day that I was free to paint we had torrential rain and howling gales.
Having been an avid bookworm since childhood, these-days I read around 45 - 50 books a year. So I recently decided to begin writing book reviews, which you can read HERE if you wish. This link will take you to my profile page on Hubpages, and if you scroll down that you'll find 110 articles, to date, on a broad variety of subjects. Enjoy!
Last Saturday's life drawing group was a lot of fun. The model, Rose Mairs, wore her mother's wedding dress, (the mother being Wirral artist Marie Mairs). Rose also wore a floral headdress and bouquet created by Wirral textile artist Angela Stringer. It was good to see a few new faces among the group; also good was the sheer diversity of finished drawings, each quite distinct in style and approach.
I used a 9B graphite pencil and two sizes of sketchbook, an A4 hardback book for the ten minute poses and a larger A3 sketchbook for the 40 minute pose. Though the paper in both look similar in colour to the eye, my scanner only fits the A4 and so I have to photograph the larger one, and this comes out grey-looking for some reason unknown to me - probably something to do with light levels.
Currently on show at the Williamson Art Gallery is the Art & Photography Exhibition 2019, all work by artists who either live in Wirral or who have a clear connection to the area. Anyway, I went along to view the exhibition and found it to be more contemporary and less "safe" than in previous years. There was a clear narrative element to many of the works.
My own favourites were: Langdale Pikes by Heather Davies; Lowtide by Leslie Devonport; Harbourside by Julia Duerden; Sunlight in Cannes by Clare Flinn; Reflections by Irene Goodier; Drifting Sands by Amanda Oliphant; Where I'm Going You Can't Follow by Poppy Palin; January by Dennis Spicer; and Lakeland (Autumn Morning) by Susan Stevens. This is not to imply that the other paintings on display were inferior; my selection is merely a reflection of my own tastes.