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Showing posts with the label wirral

Paintings and Plants

Bird bath with Crocosmia Lucifer, July 2023 Yesterday I visited the Wirral Society of Arts' members exhibition at the Williamson Art Gallery in Oxton. Entry is free, while the optional printed brochure costs just £2. The brochure gives each artist's name plus the title of their painting(s), and lists their fee. Most work here is for sale, and prices vary from a modest £65 up to £2,300. When I visit an exhibition, I like to do a quick walk-round to assuage my curiosity as to what's there. Then I'll do a much slower circuit, and take a longer, deeper look at the display. Quite often, with a local exhibition, I'll visit more than once. Looking at the work, I was sometimes able to identify which artist had created it without needed to check the brochure. So I was immediately able to recognise Alla Barkova's detailed tree drawings, Emma Dromgoole's joyously colourful nudes, and Janine Pinion's melodramatic, misty landscapes. But there are 85 artists taking pa

The Sky Moves Sidewards

  The snowdrops photographed in The Arno have almost finished flowering already. They spiral away from the tree trunk, blurring into a more naturalistic planting style nearer to the hedge. This small urban garden in Oxton is maintained by volunteers. Nobody seems sure why it's named The Arno. Possibly it's a corruption of some old Viking word or phrase meaning "high point" or "eagles nest here" - the jury is out. Most of the garden is given over to a series of tidy beds which, when viewed overall, make a geometric version of a rose. Each bed is filled with roses. At this time of the year, the roses look like a snarl of dormant sticks. Of much greater interest to me is the cottage garden border which runs along one side of the park. This holds a variety of traditional plants such as honesty, hellebores and elephant's ears, and a host of wildflowers which have either been deliberately planted or which have have helped themselves to a patch of unmanicured e

Turn to Face the Strange Changes

  Urban Shore; acrylic on canvas; Birkenhead Park series; 2023. Big plans are afoot for Birkenhead . Umpteen billions are to be pumped into the area, old stuff is to be demolished and new stuff is to be build in its place. Some of this has already begun in the town centre, where long-empty shops have been flattened in preparation. Two new glass and steel tower blocks are almost finished. One is for council offices, the other is earmarked as a mixture of apartments, with shops at ground floor level. Do we need new shop buildings, when so many perfectly good premises have been vacant for years already? Peoples shopping habits have changed now so many of us shop online.  And what's wrong with the old council offices, where not so long ago £20,000 was allegedly spent on new carpet for the stairs? One aspect of the planned changes to the area which really interests me is the intention to create a large public park stretching down to the River Mersey. Currently this area houses derelict

Birkenhead Park, October 2022

  I hope you enjoy viewing this slideshow of my photographs, which were all taken in Birkenhead Park over the last year.  This forms part of my Birkenhead Park series of sketches, paintings and photos. Don't ask me how long this series will continue on for, as I don't know the answer to that one. It'll last as long as it lasts. It began not long after we moved to this area, and maybe it will continue until we move away again, whenever that might be. We're not planning to move in the near future, anyway, but having experienced the fragility of the "best laid plans of mice and men" I don't rule anything out. The camera used for these photos is an old Kodak Easyshare. Okay, it's not a model which would attract a professional photographer but for my needs it has proven to be more than adequate. Plus it fits in a pocket readily, so it's easy to carry around. The camera is obsolete now, of course. I bought it around 20 years ago, and technology has chang

New Brighton Beach & Fairy Garden

  Here's a very short video showing New Brighton beach, our dogs, the driftwood pirate ship which is slowly being rebuilt, (for the 3rd time?), and then Vale Park which houses various fun sculptures and fairy houses. Vale Park is also home to the Mersey Arts Zone, where local artists exhibit and sell their work. There's a pleasant café, too, where on summer days you can sit outside and enjoy the formal garden.

Birkenhead Park Sketches 2021

Birkenhead Park; Photographs October 2021

Grotty Bits, Dodgy Doings and A Skull

Bride of Dreams by Adele Cosgrove-Bray; oil on canvas; 2019. My most recent oil painting, Bride of Dreams , is a radical departure from the seascapes and shoreline landscapes which I've been creating over the last two or three years. While  Bride of Dreams  depicts a domestic interior, it also has a strong narrative quality and is laced with symbolism. I won't explain this symbolism to others; I'll leave each viewer to interpret it for themselves. The bride was modelled by Rose Mairs, and the drawings for this came from a themed session for the Oxton life drawing group which I attend. Rose won the photography section of last year's Williamson Art Gallery's Open Exhibition. The cat, Bob, belongs to Janine Pinion, who won the painting section of the same exhibition. I enjoyed a lovely narrowboat cruise along the Shropshire Union Canal recently, on a day which turned out to be the hottest on record. Top speed seemed to be 3 mph, which made a refreshing change

Call Out to Wirral Poets!

If you're a poet or someone who enjoys poetry, and in the Wirral area, then here's a forthcoming event for you. Technically, National Poetry Day will be held on the 3rd October, but this event will be held a day earlier to fit around other activity events within the venue. This open mic event will run from 3pm till 4.15pm, in the lovely surroundings of the Chatterbox Tea Room within Oxton Grange Care Home, 51 - 53 Bidston Road, Oxton, Wirral, CH43 6UJ. The venue is located half way along Bidston Road, offers full disabled access, and has a car park to the front of the building. Several buses service Bidston Road from Claughton or Birkenhead, and there are bus stops very close to the home.

Trembling Knees, Knocking Noses and Dinky Faces

Five cygnets with their parents, Birkenhead Park, June 2019. Regular visitors to Birkenhead Park, here in Wirral, have been thrilled with the successful hatching of five cygnets, which all seem to be healthy. Their proud parents are keeping a sharp watch over their silvery-grey brood, who seem to be growing by the day. I also saw two newly-hatched coots, and a mallard who was chirping orders to her flock of tiny brown balls of fluff, seven or eight in number. I tried photographing them but they were too small and too far away for my geriatric Kodak. (Click on photos to see images larger). Canada geese with two goslings - feeling outshone by the swans, maybe? I did some painting; nothing artistic, though, more a case of putting a coat of paint on the chunky edging stone with runs around the front of our house. I've used Wilko's  Summer Rain , so it matches our front door. It looks a lot like chalk paint but is much more practical. Colour-wise it's hard to descr

Falling Trees and Blue Portraits

Birkenhead Park Visitor Centre, 7th April 2019, by Adele Cosgrove-Bray. My ongoing series of sketches in the park continues unabated, as is evident. On a few recent sketches I've added some simple washes of watercolour to bring another dimension to the scenes. I've long grown accustomed to sketching in public, and the few people who've passed any comment have always been encouraging. I've even unintentionally captured a tiny bit of park history:- I drew this lovely arching tree in February this year, and since then its own weight has pulled its roots out from the ground. Probably due to safety concerns, it has been brutally cut back so it's now little more than a stump, and the horizontal section, with all its vertical branches, has been removed. Hopefully the tree will survive this harsh treatment. "How can walkies please, when every step's a wheeze?" by Adele Cosgrove-Bray. Portrait by Adele Cosgrove-Bray; chalk and charcoal

Something Borrowed, Something (Mostly) Blue...

Sunset at the Beach by Adele Cosgrove-Bray; oil on canvas; 2019. I finished this oil painting just this afternoon. It's my largest painting to date; you can see it here, balanced tentatively on my wooden French box easel, which is marketed as being portable though it isn't really, not unless you're willing to carry an attache-case-size tonne weight which requires a master of origami to unfold its various extendable bits, and which is guaranteed to spill the entire contents of its storage drawers over the floor in the process. Light Approaches by Adele Cosgrove-Bray; watercolour; 2019. I've begun looking for an easel which is genuinely suited to painting outdoors. It needs to be light but not so light it'll blow over with the first breeze. It needs to be suitable for both oils and watercolours, i.e. it needs to be able to offer vertical, tilted and horizontal angles. It does not need to have integrated storage, as a bag is more useful anyway. Try fitting sa

Art Videos and Exhibitions

I hope you enjoy viewing this video slideshow of my art completed in 2018. There's a fair bit to see....  Here's another video for you, this time showing my sketches done on location in Birkenhead Park.   As I type this, I can hear loud clattering and clanging as workmen put together scaffolding outside the front of my house in readiness for some structural repairs to the bay window section. Apparently, modern double-glazed PVC windows are too heavy for this house's antique Victorian framework, and so some restructuring is called for, involving steel ties and so on. In December, the same building company re-pointed our chimneys and replaced some broken tiles. This will be a much bigger, more complex job, though. In all truth I'm not looking forward to the disruption, as workmen will have to be inside the house upstairs and down - a royal pain with two inquisitive dogs eager to "help" - but needs must; the job has to be done. That, or have the fro

Waves and Ankles

Watercolour study by Adele Cosgrove-Bray on A5 Khadi paper; 2018. I've been studying the fabulous maritime paintings of Montague Dawson , not for his old-fashioned sailing ships but for his highly skilled methods of painting the ocean. He mostly painted in oils, whereas I find myself reaching for watercolours more and more, but when I spied a book filled with large colour plates of his work in my favourite labyrinthine bookshop in Southport, I couldn't resist buy it solely because of his depiction of waves. Getting water to look wet can be a challenge, I find - but then I always did like a challenge.... Watercolour study by Adele Cosgrove-Bray, on unknown paper; 2018. The study above was done in a small sketchpad without any manufacturer's brand name on it. It has a pale blue satin-like cover decorated with appliqued shells and beads, and its cream-toned paper has tiny gold flecks threaded through it - far too pretty to leave languishing in a scruffy basket cramme

Trips Down Lanes and Exhibitions.

How's this for a spider plant? It had only five or six baby leaves when I brought it home. It's grown a bit since then. My so-called Easter cactus flowered in June, which is not exactly Easter. It's not exactly a cactus either, seeming more of a succulent in character; and despite a prevailing belief that it is difficult to get these plants to flower again, it really isn't just so long as you don't change their position around or water them to death. Well-drained soil, feeds few and far between, sunlight and, quite simply, leave it alone , and it'll flower every year without fail. This year's flowers were the most abundant for three years. Three years ago we moved house. Remember the bit about not altering this plant's position. Birkenhead Park rapid sketches series, 2018. My series of rapid sketches done in Birkenhead Park is now in its third year. They're done as I'm walking my dogs, hence the small size of the pads chosen so they fi

Open Studios and Worn-out Feet

Pigeons: Birkenhead Park Series, by Adele Cosgrove-Bray; 2018; oil on canvas. The annual Wirral Open Studios Tour took place from 9th - 10th June, a free event wherein many local artists and crafts-workers opened their doors to the public. Venues ranged from garden sheds to community centres, from back bedrooms to rented studio spaces. The work displayed was as diverse as it's possible to get, and a supporting free brochure listed all the participants with little maps to help visitors find their way around. As I don't drive, there was no way I was going to be able to see everything even though I'd like to. So, armed with an all-day train ticket and comfy shoes, I first travelled to New Brighton where Janine Pinion welcomed me into her front room which has been converted into a bright and airy studio crammed with her incredibly beautiful watercolours. Janine recently won the Open Exhibition at the Williamson Art Gallery. Bertie, an adorable Yorkshire Terrier, was de

Cheep-cheep, Quack-quack!

    Is there anyone who fails to smile when watching newly hatched chicks? They're so fragile, so tiny, yet bravely scoot across dark lakes swarming with huge fish, or waddle determinedly after their parents through long grasses threaded with fox runs and rat holes. Or, like the little gosling in the photo above, amble contentedly on the mossy bank in full view of a murderous heron.   The two parent geese were keeping a sharp eye out, helped by a large white goose which seemed to be behaving like a visiting aunt who, not entirely approving of the parents' skills, did her best to shepherd the two little goslings closer to safety. (You can only see one gosling in this photo, and the parent birds were quacking at the other youngster which had wandered too far. Aunt Goose was having none of it, and was photographed mid-march in readiness to gently usher it closer once more).   If you peer through the tangled branches in the photo above, you can see a nest filled

Art Exhibition

Oglet Shore, Speke; Adele Cosgrove-Bray, 2017. I'm thrilled to announce that my watercolour painting, shown above,  has been accepted by Seagrass Studio & Gallery 's annual open exhibition, which will run from Monday 4th September until Saturday 7th November. You can find Seagrass at #1 Acacia Grove, West Kirby, Wirral.  It's open from Monday to Saturday, 10am to 5pm. The framed painting will be available to buy, price £120.

Dr Who and the Two Donkeys

Abstract Landscape; watercolour; 2017. The 70th annual exhibition of the Deeside Art Group took place earlier in July, and so I headed off to Westbourne Hall in West Kirby to see this.  My personal favourite piece in the show was Tony Jalland's The Lost Brooch , which was a beautifully observed gouache painting of shells with, as the title suggests, a brooch tucked in amongst them. Having left Westbourne Hall, I then saw a small exhibition of print art at the library, then headed off into the sand dunes on the beach to do some sketching.  There was hardly anyone around, but the minute I was sprinkled with flaky pastry crumbs and escaping custard from the cake I'd treated myself to, about  a million ramblers promptly trudged past.  Liverpool Waterfront 2; oil on canvas; 2017. Here's the next in my series of paintings themed on the River Mersey, which I completed recently.  This is not a good photo but you can get the general idea, at least.  A problem with my li