Skip to main content

Public Writer's Events

"...We're living in era where a writer can't just write. They have to be out there. Some would argue that readings are part of a writer's job... Do readers expect their writers to be performers too?" - Ben Myers.

http://www.guardian.co.uk/books/booksblog/2010/aug/11/public-role-private-writer

Over the years I have attended many book events, and obviously some were delivered more smoothly than others.  But they've rarely failed to be interesting.  Audiences welcome the chance to meet a favourite writer, or to hear a first chapter or short story by a name who is new to them.  If they weren't interested, they wouldn't have made the journey to the event.

I've also taken part in readings.  I've even organised a few.  Walking towards the mic can be a nerve-wracking experience  as every writer wants their work to be liked, but when total strangers keep on listening to the next bit, and the next bit and the next, and then smile and give a hearty applause, it's well worth any initial trepidation.

Does anyone in an audience really expect a writer to be the next Billy Connolly?  I don't think so.  And should a writer's mind turn blank, they can always ask the audience what they'd like to know about.  Most literary events pull modest-sized audiences anyway, and Q&A sessions work well even with small groups. 

Personally, I enjoy reading my work before an audience. Sure, I write for myself - my stories are created to please me ultimately - but it's nice to share the end product too.

I remember one reading which proved a disaster.  A friend - who'll remain nameless - had given her short story to an actor to perform.  It was thought that this actor, who had been treading the boards for two decades or thereabouts, would be able to wow the audience far more effectively than the trembling author.  Not so.  Whereas, when the author had read it, listeners had laughed at the right places and felt sad or thoughtful when they were supposed to, the actor knocked all the humour out of it and turned it into one long whine.  No-one laughed.  The audience offered up an algid few claps and the author swore a blood-oath to read her own work in future.

Comments

Anonymous said…
You're right, Adele; writers can no longer hide themselves away behind their laptops. We have to be out there plying our trade or else we'll get left behind by those who do. I used to hate reading stuff out in public but as I've got more used to it, my confidence has grown. And yes I agree that it's not the same if a writer gets someone else to read their stuff out, it loses impact.
I think people want to hear the story in the writer's own voice, too, and have the chance to ask a few questions about plots and characters, or where ideas come from, etc. These events seem increasingly popular.
Jagganatha said…
both barrels Cosgrove-Bray said...
Thanks for visiting, Jagga Nathan.

Popular posts from this blog

A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time.  This is not magic; it is the art of medicine rightly understood.  In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body.  But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself.  Folklore and myt...

Remembering Richie Tattoo Artist's Studio

Richard in the street entrance to his tattoo studio in Liverpool. The vertical sign next to Richard is now in the Liverpool Tattoo Museum. Yesterday, my sister Evelyn, Richard and myself stood outside Richard's old tattoo studio and looked up at the few remaining signs, whose paint has now mostly flacked away to reveal bare wood. On the studio's window are stick-on letters which read, "Art", where once it boldly announced his presence as the city's only "Tattoo Artist".  I can remember him buying that simple plastic lettering from an old-fashioned printer's shop. This was in 1993, not long after he'd opened the studio and before he could afford better signs. After he'd patiently stuck them onto the glass we realised that from the outside the sign read "Artist Tattoo", so we had to carefully peel the letters off the window and have another go, laughing over having made such an obvious error yet worried in case we spoiled the letteri...

Falling Trees and Blue Portraits

Birkenhead Park Visitor Centre, 7th April 2019, by Adele Cosgrove-Bray. My ongoing series of sketches in the park continues unabated, as is evident. On a few recent sketches I've added some simple washes of watercolour to bring another dimension to the scenes. I've long grown accustomed to sketching in public, and the few people who've passed any comment have always been encouraging. I've even unintentionally captured a tiny bit of park history:- I drew this lovely arching tree in February this year, and since then its own weight has pulled its roots out from the ground. Probably due to safety concerns, it has been brutally cut back so it's now little more than a stump, and the horizontal section, with all its vertical branches, has been removed. Hopefully the tree will survive this harsh treatment. "How can walkies please, when every step's a wheeze?" by Adele Cosgrove-Bray. Portrait by Adele Cosgrove-Bray; chalk and charcoal...