Skip to main content

Interview With a Witch

 This article was first published on Hubpages on February 2010.

Introducing a Witch



Would you like to introduce yourself to readers, please?

I am the district manager of a UK clothing chain. I live in a waterside apartment overlooking the River Mersey; I won't be more specific than that, as I treasure privacy. I drive a dark silver Porche 911. I holiday at least twice yearly - usually to a European city. Travel attracts me; there are so many places I want to visit. I enjoy life and living. I have a son, currently studying business at university; and I have lovers occasionally, as and when it pleases me. I enjoy dining out, the company of good friends, classical music and yoga. I'm 53, and female.

Could you describe your work, please?

I work with the hidden, natural laws of nature. They're hidden only in that most people are unaware of them through choice or ignorance.

There are many kinds of witchcraft. I'm not a Wiccan, though I do consider myself a witch.

A witch is someone, male or female, who explores and exploits these natural laws or nature - or of science - by deliberate acts of will power. We are constantly surrounded by things which we're not usually aware of, even mundane things such as radio waves or x-rays. Science exploits these energies mechanically, with machines. But the human body is the greatest machine, and some of us have an innate potential to learn how to use other similarly subtle energies. Therefore, I consider the body to be sacred; it's the machine through which I explore my world.

How did your interest develop? Did you take formal classes or join related groups?

As a child, I saw things which others could not. I used to be visited by a shadow, a silhouette which would just appear near me in the wrong place for a shadow to fall. It felt ancient and watchful, and it felt very quiet - which might seem an odd thing to say but this is how it felt. Nobody else ever saw it. Nobody believed me and so I was called a liar or a fantasist, an attention seeker who'd grow out of it.

And in my teens I did grow out of it, for a few years, when puberty then college took my attention. Then I saw the shadow again and by co-incidence, if indeed that was what it was, I came across a book which referred to shadow people and so I did quite a lot of research. Much of what was written may have been nonsense, of course, or maybe this is what most people prefer to believe.

My interest developed from there, as my reading broadened and I became interested in the Anunnaki and the Nephilim.

Then in my mid-twenties I worked with a coven and learned much from them. I stayed with them for several years until the impetus began to drift, as most groups find happens. Then some of us branched off to do our own thing, to pursue our own interests, and so that all quickly fell apart then.

I began my own coven, but found this a very disatisfying experience and so I quickly handed the reigns over to someone else and I moved on. I worked solitary for over a decade, and then gradually, over time, I came to know the company that I currently work with.

What do you consider to be your main successes so far?

I enjoy a considerable degree of financial success, and my lifestyle satisfies me. I have a good pension scheme and private health care. I have absolutely no patience with fluff-minded New Agers who bleat platitudes about spirituality then can't pay their rent, or who imagine the world owes them a living largely because of their beliefs. My status is a result of my skills both as a witch and a hard-working employee. I do not consider the spiritual and material as existing in opposition to each other. Each is an equal dimension of life.

What project are you working on right now?

I'm working on a book, non-fiction of course, about my philosophy, which concerns the hidden nature and hidden history of humankind. My Amazon choices should provide sufficient hints at my directions for those with the eyes to see.

How do you plan to develop your work in the future?

I plan to continue living and enjoying life for as long as I can. Everything else is secondary to this.

Have there been particular books, paintings or films which have influenced your work?

Many books; my apartment is full of books. I recommend those on my Amazon choice on this page. The Andrew Collins is a favourite, as is Lawrence Gardner.

My work hasn't been influenced by any specific films. I enjoy watching films, of course.

What is your personal philosophy?

Plan ahead; look after the business side of life so that you can be free to enjoy the pleasurable side. Take your body seriously; health is precious. Choose friends wisely. Open your mind to new experiences, and be willing to step outside of your comfort zone. Dare to live!

What advice would you offer to someone hoping to take up a similar interest to yourself?

Work hard and play hard, for the reasons I've just given. Read, think, plan then do. With regard to witchcraft, my way is not for many. Mine requires much study and diligence, practice and dedication. This is why it's called The Craft, as it requires study and methodical practice. It's not something you can buy; it's not about the style and colour of clothes you wear. It's about progressive learning about yourself and the universe, and how each is an extension of the other.

There's an old saying which has been repeated so many times that it's become corny now: "When the pupil is ready, the master will appear." But I have found this to hold true more than once. What a person should ask themselves, then, is how to become ready.

Comments

Popular posts from this blog

A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time.  This is not magic; it is the art of medicine rightly understood.  In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body.  But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself.  Folklore and myt...

Remembering Richie Tattoo Artist's Studio

Richard in the street entrance to his tattoo studio in Liverpool. The vertical sign next to Richard is now in the Liverpool Tattoo Museum. Yesterday, my sister Evelyn, Richard and myself stood outside Richard's old tattoo studio and looked up at the few remaining signs, whose paint has now mostly flacked away to reveal bare wood. On the studio's window are stick-on letters which read, "Art", where once it boldly announced his presence as the city's only "Tattoo Artist".  I can remember him buying that simple plastic lettering from an old-fashioned printer's shop. This was in 1993, not long after he'd opened the studio and before he could afford better signs. After he'd patiently stuck them onto the glass we realised that from the outside the sign read "Artist Tattoo", so we had to carefully peel the letters off the window and have another go, laughing over having made such an obvious error yet worried in case we spoiled the letteri...

Falling Trees and Blue Portraits

Birkenhead Park Visitor Centre, 7th April 2019, by Adele Cosgrove-Bray. My ongoing series of sketches in the park continues unabated, as is evident. On a few recent sketches I've added some simple washes of watercolour to bring another dimension to the scenes. I've long grown accustomed to sketching in public, and the few people who've passed any comment have always been encouraging. I've even unintentionally captured a tiny bit of park history:- I drew this lovely arching tree in February this year, and since then its own weight has pulled its roots out from the ground. Probably due to safety concerns, it has been brutally cut back so it's now little more than a stump, and the horizontal section, with all its vertical branches, has been removed. Hopefully the tree will survive this harsh treatment. "How can walkies please, when every step's a wheeze?" by Adele Cosgrove-Bray. Portrait by Adele Cosgrove-Bray; chalk and charcoal...