Skip to main content

Messing About on the Water(colour).

Marsh Sentinel; watercolour; Adele Cosgrove-Bray 2015.
This week saw me sailing down the Shropshire Union Canal in a narrowboat.  The weather was lovely,  warm with bright autumn sunlight which proved perfect for sitting on the prow of the Pot of Gold, eating egg and mayo sandwiches while ducking under towering weeping willow trees and dodging wasps which homed-in on the Victoria sponge cake.

The narrowboat is owned by the Wirral Community Narrowboat Trust, a charitable organisation crewed by trained volunteers.

We sailed past Waverton, and admired the houses whose gardens run right down to the water's edge.  Then we left suburbia behind and slid through open countryside, passing by a long, long line of narrowboats with permanent moorings.  It was like a floating village, some of the moorings being equipped with wind-power and solar-power systems.  Some narrowboats were cheerfully painted, others had more sombre colour schemes, a few looked rather rusty, while others' roofs were crammed with culinary plants or bright annuals.

Everyone found it fascinating, and the trip was greatly enjoyed by all in the group.

Marsh at Dawn; watercolour; Adele Cosgrove-Bray 2015.
 I've been experimenting with watercolour painting over recent weeks.  I've previously painted in oils, but the techniques used for watercolours are completely different and it's so long since I used this medium that, in effect, I'm having to re-learn everything but I truly don't mind that.  In fact, it's been fun.  Here are some of the results.  Click on the images to see them larger.

Boat on the Shore; watercolour; Adele Cosgrove-Bray 2015.

Landscape; watercolour; Adele Cosgrove-Bray 2015.

Comments

Popular posts from this blog

A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time.  This is not magic; it is the art of medicine rightly understood.  In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body.  But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself.  Folklore and mythology ab

Feature & Follow Friday

The Feature & Follow is hosted by Parajunkee of Parajunkee's View and Alison of Alison Can Read. Each host will have their own Feature Blog. How does this work? First, leave your name on this post, (using the Linky tool at the end of this post).  Next, create a post on your own blog and add the Linky code.  Thirdly, visit as many blogs as you can and tell them "hi" in their comments, (on the post that has the #FF image). You follow them, they follow you. Win. Win. Just make sure to follow back if someone follows you! What sets this Hop apart from others, is the Feature. Each week Parajunkee and Alison will showcase a Featured Blogger, from all different genres and areas. Who is their Feature today? Find out below, using the links to their sites. There is also a set project which people can participate with.  This week's asks:  If you could choose any character from a book, who would it be?  What do you think that character looks like and what do you have in

Ancient Rock Carving in Stapledon Woods, Wirral.

Richard on top of the rock, to give an idea of its size.  This strange carving can be found on the Caldy side of Stapledon Woods, facing farm fields which are separated from the wood by a low sandstone wall with a castellated top.  In summer, the rock face is hidden from casual view by trees covering the slope which leads up to it from the path running alongside the sandstone wall. Has anyone got any information about this carving - what it is, its age and purpose?  I've been given several theories; one that it was made for shelter, (which seems dubious as it wouldn't work very well); or that it was somekind of ancient relinquary relating to pre-Xtian religious beliefs.  Any further ideas or documented evidence would be most welcome.