Skip to main content

Aleister Crowley and the Shed

I could use a new garden shed.

http://www.telegraph.co.uk/news/worldnews/europe/italy/7928348/The-tumbledown-Italian-shed-that-will-sell-for-1.2-million.html

Or...

http://www.buyshedsdirect.co.uk/

No need to guess which offer makes the most pragmatic sense, hmm?

Seriously, I do not understand the adulation which Aleister Crowley attracts.  He died a drug addict and alcoholic, and his only income came via donations from his supporters, thus demonstrating that he had not mastered the art of looking after himself - physically or financially.  I can see no reason to applaud self-proclaimed occultists who can't even summon the skill to pay their own bills.

Crowley was supposed to have been rather good at climbing mountains and playing chess but otherwise left behind a trail of disasters for other people to deal with.  He penned a number of mostly self-published books and wrote flowery, verbose poetry, and certainly he daubed colours on canvas and walls alike - though sorry, darlings, his paintings are abysmal, as was his penchant for defecating on a host's carpet.

I am fond of the Thoth tarot which he designed, however, and I've used my copy for more years than I care to admit to.  Someone else painted the originals for him, of course.

Since his death an entire religion has sprung up around his writings, though this seems to have more in common with Rosicrucianism than Crowley's own If-It-Moves-Bonk-It-Under-Will philosophy. 

Still, someone  may well stump up the 1.2 million for his old Cefalu hang-out.  With suitable renovation it might make a profitable holiday home for believers.

Comments

Anonymous said…
Adele, I totally agree with what you write. I've read and researched the work of Crowley and with little exception do I find value. Besides that his writing seems very confusing at least to me.

Shane
Thanks for dropping by, Shane.

Popular posts from this blog

A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time.  This is not magic; it is the art of medicine rightly understood.  In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body.  But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself.  Folklore and myt...

Remembering Richie Tattoo Artist's Studio

Richard in the street entrance to his tattoo studio in Liverpool. The vertical sign next to Richard is now in the Liverpool Tattoo Museum. Yesterday, my sister Evelyn, Richard and myself stood outside Richard's old tattoo studio and looked up at the few remaining signs, whose paint has now mostly flacked away to reveal bare wood. On the studio's window are stick-on letters which read, "Art", where once it boldly announced his presence as the city's only "Tattoo Artist".  I can remember him buying that simple plastic lettering from an old-fashioned printer's shop. This was in 1993, not long after he'd opened the studio and before he could afford better signs. After he'd patiently stuck them onto the glass we realised that from the outside the sign read "Artist Tattoo", so we had to carefully peel the letters off the window and have another go, laughing over having made such an obvious error yet worried in case we spoiled the letteri...

Falling Trees and Blue Portraits

Birkenhead Park Visitor Centre, 7th April 2019, by Adele Cosgrove-Bray. My ongoing series of sketches in the park continues unabated, as is evident. On a few recent sketches I've added some simple washes of watercolour to bring another dimension to the scenes. I've long grown accustomed to sketching in public, and the few people who've passed any comment have always been encouraging. I've even unintentionally captured a tiny bit of park history:- I drew this lovely arching tree in February this year, and since then its own weight has pulled its roots out from the ground. Probably due to safety concerns, it has been brutally cut back so it's now little more than a stump, and the horizontal section, with all its vertical branches, has been removed. Hopefully the tree will survive this harsh treatment. "How can walkies please, when every step's a wheeze?" by Adele Cosgrove-Bray. Portrait by Adele Cosgrove-Bray; chalk and charcoal...