Wirral Fantasy, Horror & Science-Fiction Event

Parallel Dimensions returns for its second year to bring together some of the UK's strongest emerging writers of the Fantasy, Horror and Science-Fiction genres.

Colin P Davies, Adele Cosgrove-Bray, Carol Falaki and Adrienne Odasso will share new fiction with their audience. Last year's lively Q&A session, which followed the readings, proved very popular.

Colin has seen over forty of his short stories published in anthologies and magazines. He is the author of The Bookmole, a novel whose sequel is due out soon. His illustrations have also appeared in international genre magazines.

Adele Cosgrove-Bray's short stories appear in various anthologies published by Hadley Rille Books and Dark Moon Press. Her non-fiction writings have been featured in Prediction Magazine and Your Future. She is currently writing her forth in a series of Dark Fantasy novels set in Wirral and Liverpool.

Carol Falaki's first novel, Birth in Suburbia draws on her professional experience as a midwife. She has also enjoyed publishing success with her poetry.

Almost fifty of Adrienne Odasso's poems have been published in a wide variety of magazines, chapbooks and anthologies. Her six published short stories have also aded to her growing reputation as a talented writer.

This event is part of the third annual Wirral Bookfest. Tickets are already on sale from all Wirral Libraries. Entry costs just £3 and includes refreshments.

Parallel Dimensions takes place on Saturday, October 16th, 2010 at West Kirby Library, Wirral. Doors open at 2pm. Be early to ensure a seat, as last year's event was very well attended.

More About the Authors...

Colin P Davies: http://www.colinpdavies.com/

Adele Cosgrove-Bray: http://www.adelecosgrove-bray.com/

Carol Falaki: http://www.writewords.org.uk/carol_falaki/

Adrienne Odasso: http://ajodasso.livejournal.com/

Comments

A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time. This is not magic; it is the art of medicine rightly understood. In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body. But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself. Folklore and mythology ab

Feature & Follow Friday

The Feature & Follow is hosted by Parajunkee of Parajunkee's View and Alison of Alison Can Read. Each host will have their own Feature Blog. How does this work? First, leave your name on this post, (using the Linky tool at the end of this post). Next, create a post on your own blog and add the Linky code. Thirdly, visit as many blogs as you can and tell them "hi" in their comments, (on the post that has the #FF image). You follow them, they follow you. Win. Win. Just make sure to follow back if someone follows you! What sets this Hop apart from others, is the Feature. Each week Parajunkee and Alison will showcase a Featured Blogger, from all different genres and areas. Who is their Feature today? Find out below, using the links to their sites. There is also a set project which people can participate with. This week's asks: If you could choose any character from a book, who would it be? What do you think that character looks like and what do you have in

Ancient Rock Carving in Stapledon Woods, Wirral.

Richard on top of the rock, to give an idea of its size. This strange carving can be found on the Caldy side of Stapledon Woods, facing farm fields which are separated from the wood by a low sandstone wall with a castellated top. In summer, the rock face is hidden from casual view by trees covering the slope which leads up to it from the path running alongside the sandstone wall. Has anyone got any information about this carving - what it is, its age and purpose? I've been given several theories; one that it was made for shelter, (which seems dubious as it wouldn't work very well); or that it was somekind of ancient relinquary relating to pre-Xtian religious beliefs. Any further ideas or documented evidence would be most welcome.

Search This Blog