All Hail Merry Monsters!

Richard took this photo of me yesterday. It was taken in our garden; you can see part of the thick curtain of glossy ivy which climbs up the wooden fence by the contorted hazel tree, right by the entrance to the Grove or "circular lawn" as I obliquely describe it in my latest Hubpage: http://hubpages.com/hub/Adeles-Garden

The photo was taken for use with my author's bio for a horror/dark fantasy anthology to be edited by Raven Digitalis, who started this project two years ago. Raven intends to submit the MS to an interested prospective publisher on October 1st. My contribution was Spanish Jones, part one of which was broadcast live on 7 Waves Radio in October last year. It's a tale of pirates, selkies and witches fighting to the death on Hilbre Island and Middle Eye. Anyway, here's hoping that the MS will be accepted.

Meanwhile, Riverside Writers have now received one quote for printing our anthology. Obviously we're waiting for other quotes to come in, but already it looks like being a choice between two local companies.

Yesterday Richard arrived home clutching Cajun chicken and two wonderfully dreadful films: Destroy All Monsters which had Godzilla and Rodan battling with a three-headed chicken-ish winged thingy, and Mega Shark vs Giant Octopus which featured a giant shark (which ate San Francisco bridge and leapt skywards to chomp a plane) battling to the death with a giant octopus, which ate a few ships and an oil rig or two. Both films deserve a place beside Sharks in Venice and King Kong Lives - the one where Kong has a heart transplant and takes a fancy to a Lady Kong with a ginger rinse. Awful but hilarious, all. The Cajun chicken was good, too - peppery spicey, just as it should be.

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A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time. This is not magic; it is the art of medicine rightly understood. In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body. But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself. Folklore and mythology ab

Feature & Follow Friday

The Feature & Follow is hosted by Parajunkee of Parajunkee's View and Alison of Alison Can Read. Each host will have their own Feature Blog. How does this work? First, leave your name on this post, (using the Linky tool at the end of this post). Next, create a post on your own blog and add the Linky code. Thirdly, visit as many blogs as you can and tell them "hi" in their comments, (on the post that has the #FF image). You follow them, they follow you. Win. Win. Just make sure to follow back if someone follows you! What sets this Hop apart from others, is the Feature. Each week Parajunkee and Alison will showcase a Featured Blogger, from all different genres and areas. Who is their Feature today? Find out below, using the links to their sites. There is also a set project which people can participate with. This week's asks: If you could choose any character from a book, who would it be? What do you think that character looks like and what do you have in

Ancient Rock Carving in Stapledon Woods, Wirral.

Richard on top of the rock, to give an idea of its size. This strange carving can be found on the Caldy side of Stapledon Woods, facing farm fields which are separated from the wood by a low sandstone wall with a castellated top. In summer, the rock face is hidden from casual view by trees covering the slope which leads up to it from the path running alongside the sandstone wall. Has anyone got any information about this carving - what it is, its age and purpose? I've been given several theories; one that it was made for shelter, (which seems dubious as it wouldn't work very well); or that it was somekind of ancient relinquary relating to pre-Xtian religious beliefs. Any further ideas or documented evidence would be most welcome.

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