I hope you enjoy viewing this video slideshow of my art completed in 2018. There's a fair bit to see....  Here's another video for you, this time showing my sketches done on location in Birkenhead Park.   As I type this, I can hear loud clattering and clanging as workmen put together scaffolding outside the front of my house in readiness for some structural repairs to the bay window section. Apparently, modern double-glazed PVC windows are too heavy for this house's antique Victorian framework, and so some restructuring is called for, involving steel ties and so on. In December, the same building company re-pointed our chimneys and replaced some broken tiles. This will be a much bigger, more complex job, though. In all truth I'm not looking forward to the disruption, as workmen will have to be inside the house upstairs and down - a royal pain with two inquisitive dogs eager to "help" - but needs must; the job has to be done. That, or have the fro

A corner of my art studio, December 2018. In my last post I mentioned the changing face of town and city centres, and how their empty spaces could be utilised in the future. This article looks at a Parisian community project in a disused hospital. While the building awaits demolition, it's attracting 1,000 visitors a day while it is being used for a cafe, a market, artisan studio space, pop-up shops, a garden and to house homeless people. In London, a former fire engine workshop awaiting development is temporarily housing a migration museum. Pop-up shops are great for the micro-businesses of artists and crafts-workers, (or "makers" as they're increasingly termed). Official definitions of micro-businesses vary in detail but most agree that they're owned by one person only, employ less than ten people, and have an annual turnover of less than £632,000. It might be fair, then, to classify a typical art or craft business, owned by one person who also is its o

Dance of the Storm Lords by Adele Cosgrove-Bray; watercolour; 2018. Currently on show at the Atkinson Gallery in Southport is a small exhibition by Wirral Society of Arts members, which I enjoyed viewing on Saturday in the company of my sister Evelyn. There was also a photography exhibition which fused together new and old images of Southport, which was fun to see how the town had changed, plus a music-themed art exhibition, and a very small makers' market in the foyer. We had lunch in one of Evelyn's favourite cafes, and she showed me a video of her new kitchen which looks fabulous - all pale and pristine. Then we ambled along Lord Street as we caught up on each other's news, and ended up sipping coffee somewhere; a lovely day. Heading for home on a very crowded train, I sat opposite a middle-aged man who was smashed off his skull on skunk weed, or so he informed everyone within earshot. He continually jabbered about him being in great danger as the train might cra

Watercolour study by Adele Cosgrove-Bray on A5 Khadi paper; 2018. I've been studying the fabulous maritime paintings of Montague Dawson , not for his old-fashioned sailing ships but for his highly skilled methods of painting the ocean. He mostly painted in oils, whereas I find myself reaching for watercolours more and more, but when I spied a book filled with large colour plates of his work in my favourite labyrinthine bookshop in Southport, I couldn't resist buy it solely because of his depiction of waves. Getting water to look wet can be a challenge, I find - but then I always did like a challenge.... Watercolour study by Adele Cosgrove-Bray, on unknown paper; 2018. The study above was done in a small sketchpad without any manufacturer's brand name on it. It has a pale blue satin-like cover decorated with appliqued shells and beads, and its cream-toned paper has tiny gold flecks threaded through it - far too pretty to leave languishing in a scruffy basket cramme

Sailing Into the Light; Adele Cosgrove-Bray; watercolour, 2018 I do like a good, old-fashioned ghost story, with a solid plot and a strong atmosphere, and this week I've enjoyed two. The first was Pay the Ghost , a film starring Nicolas Cage, Sarah Wayne Callies and child actor Jack Fulton, who already has an impressive filmography despite his tender age. A quick scan of online reviews show this film earned lukewarm responses at best, but both Richard and I really enjoyed it - which only demonstrates, once again, how totally subjective reviews are anyway. With Pay the Ghost  you get the story of a father doggedly searching for his missing child. His research takes him into the realms of folklore and fictional magic. My other ghostly encounter this week came in the form of Cass Green 's novel, In A Cottage In A Wood. A tale set in a remote Cornish cottage in dense woodland, and a London party girl spooked by strange happenings - sure ingredients for an entertaining pag

The Dawn of Misty Dreams by Adele Cosgrove-Bray; watercolour; 2018. I've been thinking about the internet and how it's changed over time, and how my use of it has changed too. Around 17 years ago, purely out of curiosity, I took a Learn Direct course which promised to be an 'Introduction to the Internet'. I quickly became hooked on this strange new world where the creativity of total strangers provided a seemingly infinite variety of entertainment. Intrigued, I set out on a journey of exploration which not only made research for my novels easy but also brought me into the world of RPGs. I won't reveal which characters I played, or on which boards our games were played out. That would spoil the mystery - and mystery was all part of the fun. As a talented co-player, Tristan, once told me, "If I wanted reality, I'd go to my parish." We used message boards and linked LiveJournal blogs to these; role-played in Yahoo! IM till dawn broke. We created l

How's this for a spider plant? It had only five or six baby leaves when I brought it home. It's grown a bit since then. My so-called Easter cactus flowered in June, which is not exactly Easter. It's not exactly a cactus either, seeming more of a succulent in character; and despite a prevailing belief that it is difficult to get these plants to flower again, it really isn't just so long as you don't change their position around or water them to death. Well-drained soil, feeds few and far between, sunlight and, quite simply, leave it alone , and it'll flower every year without fail. This year's flowers were the most abundant for three years. Three years ago we moved house. Remember the bit about not altering this plant's position. Birkenhead Park rapid sketches series, 2018. My series of rapid sketches done in Birkenhead Park is now in its third year. They're done as I'm walking my dogs, hence the small size of the pads chosen so they fi

Rain over the Loch by Adele Cosgrove-Bray; watercolour; 2018.  Here in Wirral, we've been basking under a fierce summer. England's seen high temperatures in the past, of course, and the news is full of excitable fluff about today possibly becoming the hottest day on record - remembering that British weather records date back to 1659 in the form of diaries kept by amateurs, which are now known as the Central England Temperature series. The method of recording the weather only became more standardised in 1914, however, and so it's from this more recent date that the Met Office measures its statistics.     Life drawing by Adele Cosgrove-Bray. Prattling about sunshine gives the media something to talk about other than the looming disaster of Brexit. As the countdown to the current government's B-Day (pun intended) looms ever closer, they're still batting ideas around in increasingly desperate attempts to sort out the mess their own party colleagues, and

Pigeons: Birkenhead Park Series, by Adele Cosgrove-Bray; 2018; oil on canvas. The annual Wirral Open Studios Tour took place from 9th - 10th June, a free event wherein many local artists and crafts-workers opened their doors to the public. Venues ranged from garden sheds to community centres, from back bedrooms to rented studio spaces. The work displayed was as diverse as it's possible to get, and a supporting free brochure listed all the participants with little maps to help visitors find their way around. As I don't drive, there was no way I was going to be able to see everything even though I'd like to. So, armed with an all-day train ticket and comfy shoes, I first travelled to New Brighton where Janine Pinion welcomed me into her front room which has been converted into a bright and airy studio crammed with her incredibly beautiful watercolours. Janine recently won the Open Exhibition at the Williamson Art Gallery. Bertie, an adorable Yorkshire Terrier, was de